THE STILLS — PHOTOGRAPHY
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Asian Academy Award-winning cinematographer & photographer — ten years of expedition television for BBC Earth and Discovery, and editorial portraiture for the world's business press.
Wherever the story is — a summit at 5,000 metres, a studio, or a borrowed boardroom with a CEO.
"A BRILLIANT EYE, A CREATIVE SOUL, AND THE RARE SKILL OF BEING A STUNNING CINEMATOGRAPHER AND PHOTOGRAPHER. RUTHLESSLY EFFICIENT — HE DELIVERS HIGH-QUALITY CONTENT EVERY TIME. I WOULDN'T THINK OF DOING A PRODUCTION WITHOUT CHAD."
"HE HAS ALWAYS DELIVERED — GETTING THE SHOTS I REQUESTED AND GOING ABOVE AND BEYOND WITH ADDITIONAL OPTIONS."
"INCREDIBLY PROFESSIONAL, TIMELY AND TALENTED. CREATIVE WHILST STAYING WITHIN BRIEF — I WAS VERY PLEASED WITH THE PHOTOGRAPHY."
Broadcast series for BBC Earth, Discovery and Tencent — nine seasons delivered.
High-altitude and long-haul: Aconcagua, Elbrus, Kilimanjaro, and three motorcycle circumnavigations filmed start to finish.
Cover and feature portraits for Forbes, WSJ, Bloomberg, Fortune and Fast Company.
Single-subject short films, shot, cut and graded solo.
Campaign films for national tourism boards and industrial clients.
A decade of personal work from Tibet, India, Indonesia and China.
Offline to final grade for documentary and social-first deliverables.
Small-footprint crews that travel light and deliver broadcast standards anywhere.
Director of photography for broadcast and streaming series — from pitch reel to final season delivery.
Branded and campaign films built for the feed — motion in every frame, cut to platform rhythm.
Assignment portraiture on deadline — ten minutes with a subject, a cover-ready frame regardless.
Character-driven short documentaries — researched, shot, edited and graded as a single craft.
Always. A decade of expedition television means the kit, the paperwork and the stamina are already sorted. Based in Fredericton, available worldwide.
Both, often on the same production. Motion pays for the trip; the stills are the diary the show can't hold.
Day rates for editorial and documentary; project pricing for commercial and broadcast. You see the number before anything is shot.
Licensing is scoped per project — editorial, broadcast and campaign usage are each priced for what they are. Archive and portfolio rights are retained.
Small crews are the specialty — broadcast seasons have been delivered with two people and a motorcycle.
Extreme Treks and Tough Rides are on Amazon Prime, and every trailer plays right here on this site. Canadians can stream several series free on Tubi.